randian | 燃点

墨斋画廊隆重呈现著名艺术家李津早期作品回顾展“骨与肉”， >> 更多

此次展览将以照片中的“我”为主题，考察人们如何再照片中丰富地呈现自我。从1980年代至今，我们观看自己的方式发生了怎样的变化，或者究竟有无改变？ >> 更多

香港Ben Brown Fine Arts 幸蒙委託，即將呈獻秦風在本畫廊舉辦的首個個人展出。 >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> 更多

已过九旬的亚历克斯·卡茨（Alex Katz）以其清晰分明的视觉和绘画风格闻名于世。我们通过电话与卡茨聊了聊他的影响、最近的展览以及他所有作品中最重要的一位模特——他的妻子和长达60年的灵感缪斯，艾达（Ada）。 >> 更多

(English) In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> 更多

静远似乎更情愿从作为“创作者”的艺术家退居为作为“观察者“的艺术家，以一种事无巨细，现实主义式的，迂回细致的手法切开艺术圈的脉搏。 >> 更多

(English) Dane Lovett’s 2019 solo exhibition takes as its starting point an anecdotal link between Georgia O’Keefe’s 1930’s Jack-in-the-Pulpit series and Lovett’s own ongoing series of dog portraits. >> 更多